Month: October 2019

“Watchmen” is a brutally provocative reckoning of alternate history

“Watchmen” is a brutally provocative reckoning of alternate history

On May 31, 1921, an armed white mob poured into Tulsa, Oklahoma’s majority African-American Greenwood district and began setting it ablaze. Families were driven out of their homes at gunpoint as their neighbors looted their belongings and burned their property to the ground. The lucky ones escaped the city with their lives, the less fortunate were rounded up and detained by law enforcement, and scores of men, women, and children were simply gunned down in the street. Within the space of 48 hours Greenwood, a beacon of prosperity previously nicknamed the Black Wall Street, was wiped from the face of the earth. More than 10,000 black families were left homeless, and the death toll, tallied at 36 in 1921, is now estimated to be upwards of 300. In all likelihood, most people who tune in to Sunday’s highly anticipated premiere of “Watchmen” (9 p.m. ET, HBO) will have never heard of this bloody, racist massacre that occurred almost a century ago on American soil. The thought that such a crime could happen at all beggars …

How can “Saturday Night Live” parody a farcical administration?

How can “Saturday Night Live” parody a farcical administration?

Some of the most durable “Saturday Night Live” sketches are game show parodies. It’s not hard to understand why – the genre runs on the universal appeal of gambling, with many offering a shot at fast money mixed with puzzle or trivia games of skill and elements of chance. But the classics test the players’ intelligence more than their luck, making their outcome less predictable. Hence, people love Alex Trebek’s “Jeopardy” and Darnell Hayes’ “Black Jeopardy” on “SNL.” Minus a few champions who enjoy insane winning streaks on the former, we can’t predict who will win; even contestants with a genius I.Q. can be defeated by someone with bulletproof strategy. “Black Jeopardy,” on the other hand, lands its jokes by fooling the audience into thinking it knows how the contestant Kenan Thompson’s Darnell sets up as the stooge will perform, then quickly turns that assumption on its ear. Chadwick Boseman’s T’Challa from “Black Panther,” for example, was entirely out of his depth when called upon to answer questions about American black culture. So was Elizabeth …