Partita by Barbara Kingsolver – Book Review by The Bookish Elf
After the sprawling social fury of Demon Copperhead, the new novel from one of America’s most decorated living writers returns to the same Appalachian soil with a smaller cast and a quieter ambition. Partita by Barbara Kingsolver is a memory novel built like a baroque suite, named after the J.S. Bach form that organizes loose dances around a shared key. The structural choice is not ornament. It is the engine. Livia Cable, a piano teacher on a small Tennessee dairy, gets a phone call from a man she has not heard from in over twenty years. He asks to come see her. He gives her a week to decide. What follows is not a plot in the usual sense but a reckoning, paced through movements titled Allemande, Toccata, Sarabande, Fugue, Pathétique, Da Capo, and Al Fine, with seven numbered preludes braided between them. The Story, Kept Spoiler-Free In her younger life, Livia was Livia Bohusz, a scholarship student at a serious music conservatory, the first in her family to leave the tobacco-and-cattle county where she …



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