All posts tagged: Huppert

‘My parents didn’t talk about the past’: how director Caroline Huppert recovered her family’s wartime secrets | History books

‘My parents didn’t talk about the past’: how director Caroline Huppert recovered her family’s wartime secrets | History books

Families have a way of appointing their own historians, even if the recruitment process remains obscure. In the late 1990s, Caroline Huppert – the fourth of five siblings, of whom the youngest is actor Isabelle – found herself alone with her father and a tape recorder. Over five days, he opened up about his life before and during the second world war. “I think I had that privileged position with him, because he had a taste for history, too,” she says. “But we didn’t have the same vision. I like the approach of what is called the nouvelle histoire, things like details of daily life in the past. With him, it was more emperors, kings, dates.” More than 25 years later, their exchanges have led to her memoir, Une Histoire Cachée (A Hidden Story), a work that bundles up quotidian intimacy and big-ticket history in telling the story of how her parents, Raymond and Annick, fell in love. Their relationship so easily might never have happened: he was Jewish, she Catholic, and after they met …

Isabelle Huppert in Vampire Camp

Isabelle Huppert in Vampire Camp

If you ever looked at the ageless face of Isabelle Huppert onscreen — the alabaster skin, the enigmatic smile, the eyes that seem to have a default setting of disdainful superiority — and thought all that was missing were a glistening pair of fangs and a tiny trickle of blood from the corner of her mouth, this is the movie for you. Likewise, if you ever wondered what kind of bizarro Mittel European mutant baby would result from the marriage of Robert Eggers’ Nosferatu and Wes Anderson’s The Grand Budapest Hotel. Perhaps it would look something like Ulrike Ottinger’s Viennese waltz of grotesquerie, The Blood Countess (Die Blutgräfin). A painter and photographer as well as a cult filmmaker, Ottinger understands the power of a striking image. She opens with a mesmerizing sequence in which a barge upholstered in plush vermillion velvet cruises ever so slowly through an underground cave system and grotto in Vienna. Standing with regal stillness on the front of the boat, like a carved figurehead on a prow, is Huppert as Countess …