If anyone has earned the audience’s trust, it’s Christopher Nolan.  For over 25 years, the British-American filmmaker has consistently delivered indelible visual spectacle and stimulating food for thought. Fresh off of Oppenheimer’s seven-Oscar triumph (including best picture and best director), Nolan’s thirteenth film, The Odyssey — the first narrative feature shot entirely in IMAX — is no exception to his penchant for thought-provoking blockbusters. Following near-universal acclaim from critics and moviegoers alike, Nolan’s adaptation of Homer’s ancient Greek poem — which chronicles the Greek hero Odysseus (Matt Damon) on his perilous decade-long journey home after the Trojan War — has debuted to $264 million at the worldwide box office, setting the auteur’s global opening weekend record and bolstering an existing career cume that exceeds $6.2 billion. Domestically, it notched $124 million, Nolan’s top opening outside of the Batman franchise, with 23.8 percent of that sum coming from IMAX screens. After being introduced to The Odyssey during a grade school play, Nolan nearly brought Homer’s work to the screen during his short stint developing 2004’s Troy. …