Monsters in the Archives – My Year of Fear with Stephen King
Caroline Bicks did not set out to be the first scholar granted extended access to Stephen King’s private archives. She was hired in 2017 as the inaugural Stephen E. King Chair in Literature at the University of Maine on the strength of her Shakespeare research. The King Chair carried his name, not his involvement. Four years later, the phone rang at her kitchen counter, and “Steve” was on the line. The yearlong archival project that grew out of that call became Monsters in the Archives by Caroline Bicks, a book that is somehow a literary master class, a King biography in miniature, and a personal memoir about a small, anxious child, all at once. Her thesis is precise and worth stating up front. King’s lasting horror does not hinge on what he shows you. It hinges on the sound of a stutter, the shape of a toddler’s misspoken word, the difference between clatter and clittered. She reads his drafts the way a scholar reads a Shakespeare quarto, and she does it across five focused chapters …









