All posts tagged: Cindy Sherman

Locarno 2026 Film Festival Poster Features Cindy Sherman Ecstatic Gaze

Locarno 2026 Film Festival Poster Features Cindy Sherman Ecstatic Gaze

U.S. photographer and artist Cindy Sherman designed the poster for the 79th edition of the Locarno Film Festival, which was unveiled on Wednesday. It features a character created by Sherman, rendered in stark black and white and wrapped in a yellow leopard-spotted headscarf. The leopard is the public image of the Locarno fest, which hands out the Golden Leopard as its top prize. Reinterpreting Locarno’s iconic leopard “through her signature language of masquerade and transformation,” Sherman “pays tribute to the festival’s historical image of itself,” the fest said. “A constructed character appears in stark black and white, framed by a billowing leopard‑print scarf rendered in a vivid, blazing yellow, suggesting both glamor and camouflage, revelation and disguise.” Said Maja Hoffmann, president of the Locarno Film Festival: “Cindy Sherman is one of the most influential artists of our generation. She transformed the way we perceive the world by using the camera not to document reality, but to expose how identity is staged, performed, and shaped by culture.”  Locarno artistic director Giona A. Nazzaro noted: “Sherman’s work asserts the …

Cindy Sherman’s Horror Movie Flop Is Back. Is the World Ready?

Cindy Sherman’s Horror Movie Flop Is Back. Is the World Ready?

Photographer Cindy Sherman has made just one feature film to date—Office Killer, a 1997 box-office flop that was unloved by critics, such as the New York Times’s Stephen Holden, who called the movie “sadly inept” and “crude.” I agree, at least, on the “crude” part: in one scene, the film’s star Carol Kane plays with a violated corpse’s guts. Once she’s smeared them around the corpse’s opened chest cavity for long enough, she then tries to stick them back into place using Scotch Tape. It’s gross, but that’s the point. Before Office Killer, Sherman was better-known for her “Untitled Film Stills,” a series of photographs from ’70s in which the artist poses in settings that appear to be excerpted from B-movies and pulp fiction. The year before the film was released, MoMA paid $1 million for a full set of the black-and-white pictures, which remain her most famous pieces. But during the ’80s and ’90s, Sherman spent much of her time making pictures that looked quite unlike her iconic work: they were filled with vomit, mold, and dismembered limbs (belonging to anatomical dolls, not …