All posts tagged: couture

The Whirlwind Voyage of Demi Moore’s Schiaparelli Couture Gown

The Whirlwind Voyage of Demi Moore’s Schiaparelli Couture Gown

Demi Moore arrived at the 2026 Actor Awards, formerly known as the SAG Awards, on Sunday night wearing a Schiaparelli couture gown by Daniel Roseberry. The look—a skintight black bustier dress with a trompe l’oeil crocodile tail on the front and a bursting cloud of white tulle at the back—first appeared in January on Roseberry’s couture runway for the label. Moore, and her stylist Brad Goreski, sat front row at that show. We are used to seeing dresses go from the runway to the red carpet, and often assume this to be something like a magic trick. That the internet has popularized side-by-side images of these moments has done little to demystify the process. The reality is that getting a look—any look, be that a custom dress or a runway outfit—on a celebrity is a journey that involves a relentless stylist, a willing designer, an effective publicist, and an army of steadfast assistants. Plus, it must be said, some proper mileage and, regrettably so, a certain carbon footprint. But hey, those flights would be happening …

‘Yeehaw couture:’ Why everyone wants to dress like a cowboy now

‘Yeehaw couture:’ Why everyone wants to dress like a cowboy now

Stay ahead of the curve with our weekly guide to the latest trends, fashion, relationships and more Stay ahead of the curve with our weekly guide to the latest trends, fashion, relationships and more Stay ahead of the curve with our weekly guide to the latest trends, fashion, relationships and more It’s easy to spot the signs. A normcore friend swaps their dad trainers for a pair of cowboy boots. The guy with the everpresent beanie at the local coffee shop is now drinking a cortado in a Stetson. Red bandana neckerchiefs are suddenly ubiquitous. It happened slowly then all at once: everyone is dressing like a cowboy. Call it the Yellowstone effect, the Landman aesthetic, or blame Beyonce’s recent country tour — suede fringed jackets, Wranglers, rhinestones and cowboy boots are now as common in Brooklyn as Bozeman. The wholehearted embrace of the American West isn’t just sartorial; Taylor Sheridan’s epic series about the Dutton family’s dramas in Montana broke records with 15.9 million viewers for its fifth season, becoming the most-watched cable premiere …

When Haute Couture breaks with tradition: Summer 2026 collections – Fashion

When Haute Couture breaks with tradition: Summer 2026 collections – Fashion

To display this content from YouTube, you must enable advertisement tracking and audience measurement. Accept Manage my choices One of your browser extensions seems to be blocking the video player from loading. To watch this content, you may need to disable it on this site. Try again FASHION © Stéphane Rolland Issued on: 13/02/2026 – 15:46Modified: 13/02/2026 – 15:47 06:00 min From the show Reading time 1 min Across the discipline, designers are breathing fresh perspectives into Haute Couture. Kevin Germanier repurposes Berluti outfits worn by the French Olympic team. Stéphane Rolland encourages model Farnoush Hamidian to talk out about her native Iran. Julien Fournié extols the virtues of diversity. Yuima Nakazato battles AI with dresses made of ceramics. Charlie le Mindu makes masterpieces from hair. Finally, Imane Ayissi expresses his African identity through an unveiling of the creative process.  Source link

What You Need to Know About the Paris Haute Couture Collections

What You Need to Know About the Paris Haute Couture Collections

Silvana Armani, the niece of the late Giorgio Armani, who died in September of 2025, was faced with a similar conundrum. This was the first Armani Privé show since the her uncle’s passing, and her first flying solo. (Silvana has been the head of the women’s style office at Giorgio Armani, the company, for years, designing the women’s collections at Emporio Armani and Giorgio Armani, the label, under her uncle.) She presented an honest effort. Looking past the excess of a seafoam green color (the collection was titled “Jade”), the clothes paraded around the second story of the Palazzo Armani seemed to delicately aim to modernize the Privé labe — they were more sensual, mostly unfuzzy, and seemed to be aimed at a wider age demographic. “I found it very elegant, very Armani,” I overheard a woman, likely in her mid 50s, telling another in Spanish. They were both wearing Privé looks from past collections. “I would wear most of it,” she said. Her friend replied, visibly less moved: “I don’t know, a lot of …

Dua Lipa, Demi Moore and Victoria Beckham front row as Paris Couture enters a new era – arts24

Dua Lipa, Demi Moore and Victoria Beckham front row as Paris Couture enters a new era – arts24

Paris is in full glamour mode as Haute Couture Week takes over the fashion capital and arts24 is front row for every defining moment. From headline-making celebrity appearances by Dua Lipa, Demi Moore and Dakota Johnson to historic turning points for the world’s most powerful fashion houses, we unpack a season where style, culture and legacy collide. Fashion critic Samantha Tse joins us to break down the standout looks, the significance of Victoria Beckham receiving one of France’s highest cultural honours and the renewed star power surrounding Couture Week. On the catwalks, a new era begins. JW Anderson makes his highly anticipated couture debut at Dior, while Matthieu Blazy reimagines Chanel with lightness, fantasy and technical innovation. We also reflect on an emotional season marked by tributes at Valentino and Armani Privé, honouring the enduring influence of their legendary founders. This episode also spotlights the growing global reach of Haute Couture, with a new generation of Asian designers reshaping the craft through culture, storytelling and extraordinary craftsmanship. Source link

Paris reaches the pinnacle of haute couture

Paris reaches the pinnacle of haute couture

Valentino. VALENTINO. What is haute couture? To claim this strictly Parisian label, a house must, according to regulations established in 1945 by the Ministry of Industry, have two ateliers – one for tailoring, the other for so-called “flou” (soft, unstructured) pieces; create original, made-to-measure, hand-crafted designs; and employ at least 12 people. These requirements have tended to make haute couture a formal and sometimes stilted exercise. For the spring-summer 2026 season, which was held from January 26 to 29, some designers sought to break free from convention with surprising staging. The undisputed master of this approach was Alessandro Michele, who has been the artistic director of Valentino since 2024. The Italian designer, whose collections are marked by a strong taste for costume and a certain disregard for moderation, avoided clichés by choosing settings designed to unsettle his audience – such as giant public toilets for his ready-to-wear show in March 2025. This time, he drew inspiration from the Kaiserpanorama, a collective optical device patented in the late 19th century around which viewers would sit and …

Athina Onassis’s Return to Couture Evokes Jackie’s Elegance

Athina Onassis’s Return to Couture Evokes Jackie’s Elegance

Jackie and Athina are said to have never met. A great style icon of the twentieth century, Jackie married her second husband in 1968. When Aristotle died in 1975, he left his daughter Christina as his only heir, after his son Alexander died in a 1973 plane crash. When Christina died in 1988, Athina, her then-three-year-old girl, grew up with her father’s family, far from the flashes and from Greece, the country of the Onassis family. Jacqueline Kennedy Onassis and Aristotle Onassis in 1970. Tom Wargacki She has sought to preserve that distance. A lover of horses, it has always been easier to see Onassis at a competition or in the saddle. To see her in the front row again, one must go back to a 2015 Giorgio Armani show. Álvaro de Miranda Neto, Athina Onassis, and Giorgio Armani in 2015. Bertrand Rindoff Petroff/Getty Images Source link

Armani Prive honours late founder in first haute couture show since his death

Armani Prive honours late founder in first haute couture show since his death

Stay ahead of the curve with our weekly guide to the latest trends, fashion, relationships and more Stay ahead of the curve with our weekly guide to the latest trends, fashion, relationships and more Stay ahead of the curve with our weekly guide to the latest trends, fashion, relationships and more Giorgio Armani’s spring/summer 2026 haute couture show in Paris marked a defining moment for the house. It was the first Armani Prive collection presented following the designer’s death in September last year. Armani, who died aged 91, personally oversaw his final ready-to-wear collection before it was presented at Milan Fashion Week in September 2025. Since then, the brand has entered a new chapter. This season’s couture was created under post-founder direction by Silvana Armani, yet the founder’s presence felt anything but absent. His influence hovered over every look. Though Armani was not physically present at his final Prive show in July, and did not creatively manage this collection, the house’s codes remained unmistakable – written into every line, fabric and silhouette. The palette felt …

Matthieu Blazy’s Chanel fairytale continues with haute couture debut | Chanel

Matthieu Blazy’s Chanel fairytale continues with haute couture debut | Chanel

It is the biggest job in fashion and Matthieu Blazy is knocking it out of the park. Chanel, the most famous fashion house in the world, with annual sales of almost $20bn (£14.6bn) and a designer lineage that includes Coco Chanel and Karl Lagerfeld, is an intimidating prospect for a 41-year-old Belgian designer who, until his appointment last year, was little known outside the industry. But this haute couture debut, his third collection for the house, confirmed that Blazy is off to a dream start. The show concluded with a standing ovation from the audience, which included Anna Wintour, Nicole Kidman and Dua Lipa. Backstage, veteran Chanel personnel were high-fiving each other – a remarkable display of giddiness in an industry where cool is all. In the Grand Palais venue, transformed into a willow wood of sugar-pink trees and fairytale giant mushrooms, clients tossed sable coats to the ground and clustered for grinning selfies. By every metric, approval ratings for the new-look Chanel are off the charts. A boxy suit in tissue-thin mousseline led the …

Jonathan Anderson leans into Dior’s dramatic backstory for couture show | Haute couture shows

Jonathan Anderson leans into Dior’s dramatic backstory for couture show | Haute couture shows

For billionaires with an eye on best-dressed lists and Oscar nominees with sights set on red carpet domination, Paris haute couture – where a dress can take months to make by hand, and cost as much as a small apartment in the city – is a shopping opportunity. For the rest of the fashion industry, it is a battle for bragging rights between the haughtiest brand names in the world. With ambitious young designers newly installed at Dior and Chanel vying for domination, that battle is feistier than ever. Haute couture is an arms race like no other. At 10 o’clock on a Monday morning, the Oscar nominee Teyana Taylor was in a diamond tiara in the front row of Schiaparelli, where the house is preparing for a lavish exhibition opening at the V&A Museum this spring. A few hours later in the garden of the Rodin Museum, where a mirrored Dior catwalk reflected a suspended canopy of lush moss studded with silk flowers, Pharrell Williams and the actor Josh O’Connor arrived promptly, but the …