All posts tagged: Frederick

Freud’s Greatest Critic: The Legacy of Frederick Crews

Freud’s Greatest Critic: The Legacy of Frederick Crews

Frederick Crews (left) and Sigmund Freud (right) Frederick Crews (a fellow of the Committee for Skeptical Inquiry), who died in June 2024, devoted decades of his life to convincing his colleagues in the humanities that the time had come to let psychoanalysis go. During a very productive life of more than nine decades, Crews—literary critic and professor emeritus of the University of California Berkeley—became famous twice. The first round, between 1963 and 1965, came after the publication of The Pooh Perplex, an erudite satire that became an unexpected bestseller. The second time, from 1993 onward, came after his explosive article “The Unknown Freud,” which appeared in The New York Review of Books, igniting the so-called Memory Wars and opening up the debate about the true cultural, social, and scientific legacy of Sigmund Freud and the psychoanalytic movement. As far as psychological science and neurology went, when Crews’s explosive article came out, Freudianism had been reduced, at least in the United States, to a kind of historical landmark in the field, much like the miasma theory …

Frederick Wiseman Always Made His Point

Frederick Wiseman Always Made His Point

Before he became a filmmaker, Frederick Wiseman was a professor who was in over his head. Wiseman had gone to Yale Law School partly to avoid the Korean War draft (though he ended up drafted anyway), but also, by his own admission, because he lacked a better idea of how to spend his time. At Boston University, he taught classes on topics that he claimed he didn’t know much about, so he would take his students on educational field trips to sites where their defendants might end up if they received insufficient legal representation. One of those places was the since-renamed Bridgewater State Hospital for the Criminally Insane, where he got a different idea. After the facility superintendent accepted his proposal to film at the hospital, Wiseman began filming, with permission from authorities. By merely observing the appalling conditions at Bridgewater, Wiseman made Titicut Follies, a film so threatening to the Massachusetts state government’s reputation that the Massachusetts Superior Court ordered it to be pulled from distribution, citing patient-privacy concerns. This de facto government censorship …

Frederick Wiseman: the best American filmmaker you’ve (probably) never heard of

Frederick Wiseman: the best American filmmaker you’ve (probably) never heard of

Get the latest entertainment news, reviews and star-studded interviews with our Independent Culture email Get the latest entertainment news with our free Culture newsletter Get the latest entertainment news with our free Culture newsletter When we talk about the Great American Filmmakers, there are some names that simply demand to be mentioned. Names like Martin Scorsese, Stanley Kubrick, or David Lynch: those artists whose coruscating command over the medium has made them globally, lastingly famous. And then there are names like Frederick Wiseman. It’s no mystery why the prolific 96-year-old filmmaker has never had even a morsel of the mainstream recognition afforded to his peers, though many of those who have watched his work agree that his place in the canon is undeniable. For one thing, he almost exclusively makes documentaries, a mode of filmmaking that’s hardly packing out the multiplexes. Even within the world of documentaries, though, he remains a more obscure figure than, say, Ken Burns, Michael Moore, or even Asif Kapadia. Partly this is down to the work itself: his films are …