Japanese Gothic by Kylie Lee Baker
Some houses are simply old. The house at the center of Japanese Gothic by Kylie Lee Baker is something else entirely. Hidden at the bottom of an incline in Chiran, Kagoshima Prefecture, veiled by sword ferns and wild ginger, ringed by flowers that should not bloom in the same season, it has a heartbeat. Not a metaphorical one. The walls drink sound. The window that looks out to the yard is not always there. And a room that measures six feet longer from the inside than the outside should end any reasonable debate about whether the house is normal. Somehow, it only makes things worse. Baker has built a career writing Japan through a lens of darkness and myth. Her debut YA duology, The Keeper of Night and The Empress of Time, followed a half-British, half-Japanese Shinigami navigating the supernatural politics of the Meiji Era. Bat Eater and Other Names for Cora Zeng followed. With Japanese Gothic, she makes the leap into adult horror, and the shift is palpable. The writing is denser, the damage …








