All posts tagged: Heath

Oscars Flashback: What Heath Ledger, Reese Witherspoon, and Meryl Streep Wore On the Oscars 2006 Red Carpet

Oscars Flashback: What Heath Ledger, Reese Witherspoon, and Meryl Streep Wore On the Oscars 2006 Red Carpet

Trends may change from year to year, but some things—like black dresses, red lipstick, and Meryl Streep—are never out of place on the red carpet at the Oscars. Just as all of the glam above will almost certainly appear at the Oscars 2026 on Sunday, March 15, they were all present on the Oscars red carpet 20 years ago. The awards ceremony itself was full of surprises, from all four major acting winners—Reese Witherspoon, Philip Seymour Hoffman, Rachel Weisz, and George Clooney—being first-time nominees, Crash pulling off a best picture upset over awards season favorite Brokeback Mountain, and more. Not a surprise, however, was the outstanding style attendees displayed on the red carpet two decades ago. Nobody wears a classic black tux like Clooney, as he once again demonstrated in 2006, and Michelle Williams, attending on the arm of Brokeback Mountain costar and then-partner Heath Ledger, another master of menswear, could wear her canary yellow Vera Wang gown with artful tulle ruffles and an elegant train today, and nobody would bat an eye. Jennifer Aniston …

A Knight’s Tale: Queen. Bowie. Heath Ledger. No wonder the 2001 comedy is a classic

A Knight’s Tale: Queen. Bowie. Heath Ledger. No wonder the 2001 comedy is a classic

Get the latest entertainment news, reviews and star-studded interviews with our Independent Culture email Get the latest entertainment news with our free Culture newsletter Get the latest entertainment news with our free Culture newsletter Did anyone really need a medieval jousting movie scored to Queen and David Bowie? No. Did millennial audiences in 2001 immediately understand that Brian Helgeland’s A Knight’s Tale – out again in cinemas this week – was exactly what they wanted anyway? Absolutely. Five years after Baz Luhrmann had proved that modern soundtracks could electrify period texts in Romeo + Juliet, Helgeland applied the same logic to tournaments in the Middle Ages, and discovered it worked brilliantly. For this is a film so joyous and free of pretentiousness that questions about historical accuracy splinter on impact. Part of the film’s pleasure is indeed how gleefully it flaunts every bizarre, lurid anachronism: peasants hammer wooden stands to “We Will Rock You”, courtly balls pivot to Seventies disco, and the whole thing vibrates with a classic-rock swagger that feels bracingly alive. Heartwarming, too. …