Nalini Malani Lets the Walls Speak with a New Installation in Venice
Entering the cavernous Magazzini del Sale in Venice, viewers encounter Nalini Malani’s animations, which are projected directly onto the uneven brick walls of the former salt warehouse. Her images flicker, dissolve, and reappear as they are cast across architecture shaped by centuries of trade. The installation feels both contemporary and archaic: moving images that seem less like digital projections than pigment placed on stone, recalling cave paintings set in motion. This tension between past and present runs throughout Of Woman Born, Malani’s latest project, which was commissioned by the Kiran Nadar Museum of Art and is being presented during the opening of the Venice Biennale next month. Drawing on tens of thousands of hand-drawn images translated into animation, the installation brings together mythology, literature, and sound in a layered environment that unfolds as the viewer moves through the space. Beyond the exhibition itself, Malani has also extended one of her recurring figures—the “Skipping Girl”—across Venice, where she appears on posters and public signage, guiding viewers to the work. Long engaged with questions of violence, displacement, and …








