Now the proud owner of six Brits, three Grammys and seven UK Top 10 singles, it’s fair to say Harry Styles has elegantly sidestepped the potholes that pepper the route from ex-boyband member to solo superstar. His well-earned confidence means that rather than fill the gap between 2022’s Harry’s House and last week’s announcement of his fourth album – the confusingly-titled Kiss All the Time. Disco, Occasionally – with various one-off releases, spurious anniversary variants or curated social media moments, Styles basically disappeared. In fact, the only sliver of excitement for his fanbase to grab on to came last September when he ran the Berlin marathon in a very respectable 2hr 59min. Having endured the music industry at the height of its #content-heavy obsession in One Direction, there’s something old-fashioned about Styles’ absence between album eras. That’s unlikely to be accidental: since launching his solo career with 2017’s muted, 1970s soft-rock-indebted self-titled debut, Styles has cast himself as a cross-generational throwback beamed into the present, albeit one sporting fashion choices that rile gender conformists. Each …