I had the pleasure of talking to Victor Carrillo Tracey, a performer in the Broadway musical The Outsiders, about the emotional and physical demands of performance, and what stays in the body after the curtain falls. In a production defined by intensity, violence, and loss, Victor Carrillo Tracey moves between multiple characters, including Paul and understudying Sodapop and Darrel, sometimes switching roles within the same day. Each night requires emotional access, physical precision, and interaction with the audience. “Nothing can truly prepare you for eight shows a week… for as long as the show’s going to run,” Victor says. The Nervous System on Stage For actors, dancers, musicians, and anyone whose work requires emotional engagement, the body is activated even if the mind knows it is just a performance. Our nervous system cannot always differentiate between staged and actual threat. Body responses such as increased heart rate, tense muscles, enacted tears, laughter, or rage can be internalized regardless of context. For performers, this can create a blur between the character’s reality and their own (Balan, …