New Film About a Viral Finger Painting Prodigy Skewers the Art World’s Cruel Optimism
A Canadian curator and sad dad is working for a Quebecois collector in Nina Roza, a film that premiered this week at Berlinale. His rich boss is doomscrolling and stops on a viral video that shows a child prodigy finger painting in a Bulgarian barn. Her abstractions, she explains to the camera, depict the cosmos; anyone who sees them as mere paint, she says, is “dumb.” The wealthy collector shares the video with his personal curator, giddy with glee and declaring that he wants to buy one of her paintings. Our depressed curator is instantly dismissive, quipping that you simply cannot trust Bulgarians. They are so poor, he says, that they have no choice but to scam. He strongly advises getting her paintings authenticated before paying a dime; the video proves nothing. What does this Canadian curator have against Bulgarians? The film tells a story of man versus self. It turns out that the curator is a self-hating Bulgarian immigrant who hasn’t been back home in 28 years. Born Mihail but known in Canada as …
