Sometimes the seed of an idea can grow into something monumental. In Veronica Ryan’s case, kernels and pods have grown into a whole career filled with organic forms bursting to life with stories and symbolism. It’s an approach that has served her well, winning her the Turner prize in 2022. And now the Montserrat-born British artist is being given the full retrospective treatment, with a show taking viewers from her early experiments in lead to more recent sculptures made of twine, bandages and plastic. It’s the new stuff you see first, hanging pendulously from the ceiling and piled up on the floor. Long, thin coloured sacks dangle on wires, bulbously weighed down by plastic bottles and seed pods. They look like Ruth Asawa let loose at the tip, minimalism at the recycling centre. ‘She is remaking the world in her own image, and letting everyone see themselves reflected in it.’ Photograph: Matt Greenwood/Above Ground Studio Cardboard avocado trays are stacked into improvised geometric sculptures; plastic bottles in the corner have been cast in ceramic; teabags …