Is the Household Obsolete? Charlotte Perkins Gilman on Economy, Androcentrism, and the Socialization of Care
Charlotte Perkins Gilman (1860–1935) is well known to lovers of Gothic horror for her acclaimed story The Yellow Wallpaper (1892). This story, considered one of the first written documents on postpartum depression, reveals the gender bias of the psychologists of her time. But Gilman was more than just a writer of Gothic horror fiction: she was also a prolific poet, lecturer, illustrator, and essayist. After her divorce from Charles Stetson, she was the subject of a scandal, becoming the indirect target of editorials in ultra-conservative magazines that questioned the ability of literate women to fulfil their duties as wives and mothers. Like many women of the Progressive Era, such as Jane Addams and Anna Julia Cooper, her biography would make a fascinating basis for a TV series or film. (If you are reading this and you are a producer with the means: I have the ideas for the script; please get in touch!) Perhaps most intriguing of all is how a woman who never had the opportunity to attend university and had to educate herself …


