In 1967, a young Roger Ebert drew up a top-ten-films-of-the-year list includ­ing Bon­nie and Clyde, Blow-Up, The Grad­u­ate, A Man for All Sea­sons, and Cool Hand Luke. Lat­er, he added a few more pic­tures from this cin­e­mat­ic bumper crop that he remem­bered fond­ly, the first of which was The Fam­i­ly Way. Though sel­dom ref­er­enced today, it was a big hit in Britain — one of sev­er­al, in fact, for the twin-broth­er film­mak­ers John and Roy Boult­ing. Respon­si­ble for such nine­teen-fifties come­dies as Lucky Jim and I’m All Right Jack, the two attained in their home­land not only auteur sta­tus, but also the curi­ous posi­tion of estab­lish­ment satirists, val­i­dat­ing the insti­tu­tions of mid-cen­tu­ry Eng­lish life even as they ridiculed them. Adapt­ed from a stage play by Alfie author Bill Naughton, The Fam­i­ly Way finds its mate­r­i­al in the tri­als of a pair of north­ern new­ly­weds who, hav­ing been fleeced by a crooked trav­el agent, end up hav­ing to spend their hon­ey­moon at home. What’s worse, giv­en their impe­cu­nious­ness, “home” meant a room in the house of the groom’s par­ents. That 1967 …