It was October 2001 in New York City, and Mira Aroyo and bandmate Reuben Wu were invited to DJ a new party. The gritty, 200 capacity Luxx on Brooklyn’s Grand Street specialised in forgotten queer electro sounds from the 1980s. The party’s name? Electroclash. “It was us, Peaches, people from Berlin,” remembers Aroyo. Larry Tee, the Atlanta DJ and RuPaul collaborator, had booked them for their love of overlooked gems by Gina X or Bobby O. “It was hedonistic, nonbinary, flamboyant.” Returning to Liverpool, this fed into their band Ladytron’s definitive electroclash statement: 2002 single Seventeen. Against a throbbing synthesised bassline, vocalist Helen Marnie’s hushed, deadpan vocal warns ominously about teenage female disposability: “They only want you when you’re 17 / when you’re 21, you’re no fun.” Electroclash leaders … Ladytron performing at Heaven in 2002. Photograph: Nicky J Sims/Redferns In 2026, Ladytron are back. Recording eighth album Paradises, the band that Brian Eno once praised as “the best of English pop music” decided on a pivot to the dancefloor. “The guiding principle,” says multi-instrumentalist …