All posts tagged: synths

The Best MIDI Controllers for Synths, Guitars, and More (2026)

The Best MIDI Controllers for Synths, Guitars, and More (2026)

One needn’t enjoy the music of Rush to respect the multitasking that happens while the Canadian prog trio (RIP Neil Peart) was onstage spinning impeccable note-for-note re-creations of their studio work. A key component of bassist/vocalist Geddy Lee’s workflow was the Moog Taurus, which is an archaic monophonic synthesizer that’s controlled by an octave’s worth of organ-like foot pedals that sit on the ground under his rack of synthesizers, which he later transitioned to a MIDI-controlled Ableton-enabled computer. Newer, heavier bands like Brutus and Russian Circles have carried the torch, the latter utilizing a vintage Taurus up until a band of tweakers ransacked their trailer in 2021. Brian Cook, the bassist of the instrumental metal trio, has since been reunited with his beloved Taurus, but in the meantime he utilized a Keith McMillen Instruments 12 Step paired with a Moog Minotaur Model to re-create the squelching, thundering low-end he’s famous for wielding while he plays a baritone guitar with his hands. The 12 Step 2 expands on the original with five-pin DIN input and output, …

Let’s Eat Grandma’s Jenny Hollingworth on her shimmering new solo album: ‘My parents being boomers probably drilled all those Eighties synths into my head’

Let’s Eat Grandma’s Jenny Hollingworth on her shimmering new solo album: ‘My parents being boomers probably drilled all those Eighties synths into my head’

Get the inside track from Roisin O’Connor with our free weekly music newsletter Now Hear This Get our free music newsletter Now Hear This Get our free music newsletter Now Hear This As one half of Let’s Eat Grandma, Jenny Hollingworth made music that got under the skin. Two prodigious sixth-formers from Norwich, she and Rosa Walton – best friends since they were four – wrote teenage odysseys that were bold, lurid and inventive. Admired for their unguarded vocals and impressionistic lyrics, the duo broke through in 2018 with I’m All Ears, a second album that translated weirdness into proper synthpop: a collision of rave-y euphoria, harsh electronics and playful snatches of recorder and violin. It earned them an Ivor Novello nomination. By the time they released follow-up Two Ribbons in 2022, still just 23 years old, they were hailed as generational talents. That album was a masterpiece about grief and the changing nature of friendship, but it nearly broke Hollingworth. Now she’s releasing her buoyant debut solo record, Quicksand Heart, under the moniker Jenny …