A Vital Unconscious | Coco Fusco
I wanted with all my heart to paint the drama of my country, but by thoroughly expressing the negro spirit, the beauty of the plastic art of the blacks. In this way I could act as a Trojan horse that would spew forth hallucinating figures with the power to surprise, to disturb the dreams of the exploiters. I knew I was running the risk of not being understood either by the man in the street or by the others. —Wifredo Lam In the middle of the twentieth century the Cuban-born painter Wifredo Lam made the African presence in his homeland the driving force of his oeuvre, in drawings and paintings filled with totemic figures that often float in dark, monochromatic spaces. It has taken a long time for the originality of that aesthetic and political orientation to be fully appreciated in the United States. His most famous painting, La jungla (The Jungle, 1942–1943), was acquired by the Museum of Modern Art in 1945, but for many years it hung by the coatroom in the museum’s …









