Animol review: Adolescence star Ashley Walters makes an impressive, confident directorial debut
A star rating of 4 out of 5. It’s good year for fans of the British prison drama. Hot on the heels of Wasteman – due out in UK cinemas this week – we have Animol. Receiving its world premiere at the Berlin Film Festival, in the Perspectives strand, this tense tale marks the feature directorial debut of Ashley Walters. The star of shows like Top Boy and, more recently, Adolescence and A Thousand Blows, of which he directed three episodes, Walters showcases some serious young talent here, notably Tut Nyuot, who previously featured in The Long Walk, and Netflix drama Steve, alongside Cillian Murphy. Here, he plays Troy, brought into a young offender institution on remand as he faces grave charges: conspiracy to commit murder. Arriving the same day as the Polish-born Krystian (Vladislav Baliuk), with whom he soon forms a tight bond, he also runs into the very dangerous Dion (Sekou Diaby). Either Troy smuggles in a phone or D – as he calls himself – is going to make life very difficult …


