Above and below, you can watch musi­cians per­form “Songs of Con­so­la­tion,” a 1,000-year-old song set “to the poet­ic por­tions of Roman philoso­pher Boethius’ mag­num opus The Con­so­la­tion of Phi­los­o­phy,” an influ­en­tial medieval text writ­ten dur­ing the 6th cen­tu­ry. Accord­ing to Cam­bridge Uni­ver­si­ty, the per­for­mance of the piece, which had been lost in time until recent­ly, did­n’t come eas­i­ly:

[T]he task of per­form­ing such ancient works today is not as sim­ple as read­ing and play­ing the music in front of you. 1,000 years ago, music was writ­ten in a way that record­ed melod­ic out­lines, but not ‘notes’ as today’s musi­cians would recog­nise them; rely­ing on aur­al tra­di­tions and the mem­o­ry of musi­cians to keep them alive. Because these aur­al tra­di­tions died out in the 12th cen­tu­ry, it has often been thought impos­si­ble to recon­struct ‘lost’ music from this era – pre­cise­ly because the pitch­es are unknown.

Now, after more than two decades of painstak­ing work on iden­ti­fy­ing the tech­niques used to set par­tic­u­lar verse forms, research under­tak­en by Cam­bridge University’s Dr Sam Bar­rett has enabled him to recon­struct melodies from the redis­cov­ered leaf of the 11th cen­tu­ry ‘Cam­bridge Songs’.

The song is per­formed here by Ben­jamin Bag­by, Han­na Mar­ti and Nor­bert Rodenkirchen, three mem­bers of the medieval music ensem­ble known as Sequen­tia.

Note: An ear­li­er ver­sion of this post appeared on our site in 2016.

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