All posts tagged: Coon

Carrie Coon and Morgan Spector Talk Marriage, History, and ‘The Gilded Age’ Season 4

Carrie Coon and Morgan Spector Talk Marriage, History, and ‘The Gilded Age’ Season 4

Vanity Fair: It really feels like season three is when the show broke containment, reaching beyond its original audience of theater-loving, history-loving people. What do you think it was about this most recent season that struck a chord with a larger audience? Morgan Spector: To be honest, you have to commit to shows these days in order to find an audience. There is so much stuff that people say to themselves, I’ll get to that eventually. And by the time they get to it, it’s gone. It’s been canceled because they didn’t get to it, or if it’s a movie, it’s not in the theater anymore and their box office wasn’t good enough ’cause you didn’t go. For studios and networks, they really have to give things some breathing space to find an audience. So that’s one thing. But also, I think season three was exciting. Season three, narratively, had a lot going on. Yes, you’re getting your snide remarks, and yes, you’re getting micro-moments that resonate in a way that they wouldn’t necessarily in …

Carrie Coon On Starring in Bug on Broadway Written By Tracy Letts

Carrie Coon On Starring in Bug on Broadway Written By Tracy Letts

In Bug on Broadway, Carrie Coon plays a small town waitress caught up in a web of paranoid delusions and conspiracy theories.  Her character, Agnes, is introduced to these ideas after connecting with Peter, a Gulf War veteran who fixates on a bug problem in her hotel room as part of a larger theory about surveillance. It’s edgy and stands out in the Broadway season, which Coon argues is exactly what’s needed in this political climate.  “It feels subversive to be an artist right now, because there’s a real war on the arts in this country. So bringing something that’s a little edgier and a little darker feels like the way theater should go, and usually goes when people feel oppressed,” Coon said.  Bug, written by Tracy Letts, Coon’s husband, makes its Broadway debut at Manhattan Theatre Club’s Samuel J. Friedman Theatre after premiering in London in 1996 and then seeing several subsequent iterations, as well as a film adaptation. This production, directed by David Cromer and co-starring Namir Smallwood, also ran twice at Steppenwolf …