How Former Fashion Designer Emma Safir Turns Fabric into Painting
What might it take to tackle the en-slick-ification of the art object? Emma Safir’s answer to this question arises from her embrace of the sensory capacities inherent in textiles and an eagerness to place oppositional strategies and gestures into new formations and dependencies. The results are works of great mystery and manipulation, each one a reflection on the elusive and ambiguous correspondences between the handcrafted and the digitally (re)produced. A former fashion designer and experienced printmaker, Safir harnesses her intimate knowledge of clothing, traditional embroidery techniques, and decorative ornamentation in a complex and embodied practice of art-making in an era wrecked by shallow consumption and political decadence. Uninterested in the stagnant hierarchical divides between fine and decorative art, craft-based and digital processes, Safir seeks a framework for addressing the fight against commodification by engaging techniques and strategies from across media (photography, printmaking, and handiwork, most specifically) and histories of mark-making (such as puncturing, stitching, and, at times, digitally altering). Related Articles Emma Safir: Screened Nacre (Alternate), 2025. Photos Jenny Gorman/Courtesy Hesse Flatow, New York The …







