Tremaine Emory Is Feeling Emotional About His First-Ever Museum Retrospective
When he asks where my loafers are from, I tell him that I got them at the Coach store I used to work at in Miami ten years ago, and he nods in solidarity. Before he was the creative director of Supreme, much less the founder of a streetwear brand whose cotton wreath motif can be spotted on the likes of Frank Ocean, André 3000, and the many swag gods traipsing around Canal Street on any given day, Emory worked retail at Marc Jacobs. He started as a stockroom associate in New York City, where he was raised, concluding his nine years with the company as a store manager in London. He used some of his relocation stipend to purchase the aforementioned 501s—then brand new—and “wore them every day for a decade.” He jokes that some of the SCAD students he mentored, and continues to communicate with, felt that having a job is “lame.” But looking back, he argues, “I worked retail until I was 35 and I feel great about it. I near-cried when …
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