All posts tagged: Fujifilm

Fujifilm Instax Evo Cinema Review: Retro Video Fun

Fujifilm Instax Evo Cinema Review: Retro Video Fun

The front of the grip has a cover that hides away the USB-C charging port and microSD card slot. There is built-in memory, but I would strongly suggest using a microSD card, because it’s difficult to fully extract your images from the built-in memory. You have to use the app to first download the image, but then it’s hard to save them on your phone outside of the app. Just throw a tiny microSD card in there and you’ll avoid all that hassle. The images are tiny. The 5-MP, 1/5-inch sensor records photos at 1920 x 2560 pixels and videos at 600 x 800 pixels (though there is an option to record higher resolution using the 2020 high-quality mode, which bumps video to 1080 x 1440 pixels). The sensor shares the same specs as the Mini Evo Plus, and it seems safe to assume it is the same. That means it’s good enough for Instax prints and social media, but won’t look that great even at 4 x 6 inches. The shutter button, which is …

Gear News of the Week: Kia Shows off the EV2, and Fujifilm Debuts New Instax Cameras

Gear News of the Week: Kia Shows off the EV2, and Fujifilm Debuts New Instax Cameras

It might seem strange to buy a camera that can only shoot black-and-white when you can take the output of a color sensor and convert it to black and white afterward. But having shot with both the K-3 monochrome and the Leica M10 Monochrome, I can vouch that there is definitely a better tonal range from a monochrome sensor compared to converting in post. If you’re a dedicated black-and-white shooter, it’s worth considering. I really like the idea of a pocketable monochrome camera that doesn’t have a Leica price attached to it. The GR IV monochrome is essentially the same camera as the GR IV—same lens, same internals aside from the sensor. Inside the GR IV is a 26-megapixel sensor with no color filter array. Based on my experience with other monochrome sensors, you can expect marginally less shadow noise and slightly better high ISO performance compared to the color version. I especially like that there will be an optional built-in red filter for upping contrast. The big downside is that the monochrome GR IV …

Fujifilm X-E5 Mirrorless Camera Review: Compact Color Science in a Retro Package

Fujifilm X-E5 Mirrorless Camera Review: Compact Color Science in a Retro Package

Also notable in the X-E5 is the addition of in-body image stabilization (IBIS), which used to be something reserved for the X-Pro series cameras (again, IBIS in the X-E 5 sounds like yet another death knell for the X-Pro 4). Fujifilm is claiming seven stops of IBIS, which feels about right based on my testing. I was able to shoot a lot of handheld shots of my kids on Christmas morning and never missed a thing due to camera shake. Photograph: Scott Gilbertson The overall construction and build quality of the X-E5 is also a huge leap forward. Unlike the X-E4, which had a rather plasticky feel to it, the X-E5 is solid and well built. The top plate is now a single piece of aluminum, which goes a long way to giving the camera a sturdier, higher-end feel. If you throw a pancake lens on there, like the new 23mm f/2.8, it feels like an X100, which was not true of the previous model. My favorite thing that the X-E5 has stolen from the …