In her fiction debut, The Ruiners, Ellena Savage probes the awkward realities of white privilege, social mobility and a lack of ancestral connection. At first it seems that Savage has turned away from the experimental ambition of her successful memoir, Blueberries, but the novel gradually reveals itself to be craftier and more subversive than it appears. This anti-inheritance novel is in direct, playful conversation with one of its inspirations – Great Expectations by Charles Dickens – and, while knowledge of the coming-of-age novel isn’t essential, it’s delightful to see Savage tease the themes of the original in her surreal contemporary take. Having failed to fulfil or even define her own ambition, 29-year-old Pip drifts aimlessly through her life. She is smart, funny and vaguely unhappy. In quick succession, her estranged father dies and leaves her an inheritance of $50,000 and she falls quickly, recklessly in love with Sasha, a brooding young writer who narrates the third part of the novel. With the inheritance Pip sees the opportunity to change her situation. She quits her job …