All posts tagged: Kline

The Foursome by Christina Baker Kline

The Foursome by Christina Baker Kline

In 1843, two sisters from a North Carolina farming family climbed into bed with their husbands, the most famous men in America: the original “Siamese twins,” Chang and Eng Bunker, who were joined at the chest by a band of cartilage. They lived this way for more than three decades. Between them, they had twenty-one children. Christina Baker Kline, who happens to be a distant relative of those sisters, has spent years trying to imagine what such a marriage might have actually felt like. The result is The Foursome by Christina Baker Kline, a novel that resists almost every easy framing the premise invites. What the Novel Is About (Without the Spoilers) Sarah and Adelaide Yates are daughters of a once-prominent Wilkes County family whose social standing has been bruised by an unnamed scandal. When Chang and Eng arrive in town with their wealth, their international fame, and their unmistakable presence, the gossip is immediate. The bold elder sister Addie sees a chance to reclaim her future; the quieter Sallie, who narrates the book, hesitates, …

How Josh Kline Wrote the Essay the Art World Can’t Stop Talking About

How Josh Kline Wrote the Essay the Art World Can’t Stop Talking About

In 2011, Andrea Fraser wrote that “what has been good for the art world has been disastrous for the rest of the world.” Fifteen years on, Fraser’s words still ring true. But finding the words for why is not always so easy, and maybe that is the reason a recently published essay on the subject, by artist Josh Kline, has taken the New York art world by storm, becoming the subject of social media posts issued by artists, critics, curators, and even dealers. Titled “New York Real Estate and the Ruin of American Art” and published by October, Kline’s essay is a despairing portrait of the city’s art scene. It functions both as an elegy for a lost New York art world of the 2010s—the one that raised Kline as an artist who became known for work about technology’s ability to exacerbate inequalities—and as a blistering critique of all the privilege required to find success here. The piece has gone viral, which is not something that happens often with October essays anymore. Related Articles “The …

Wavelength Adds Matt Kline, Opens New Los Angeles Campus

Wavelength Adds Matt Kline, Opens New Los Angeles Campus

As part of a push to expand partnerships with content-minded brands, Wavelength has hired advertising veteran Matt Kline as chief growth officer. In this newly-recreated role, Kline will oversee Wavelength’s brand partnerships and growth strategy, working with marketers to develop projects across film, television, Broadway, sports and digital. The move comes as the company doubles down on its production capabilities, recently opening a 10,000-plus square foot creative campus in Los Angeles in an effort to expand creative and brand-facing capabilities and provide space for collaborating artists to work onsite. “As brands look to connect more meaningfully with their audiences, their entertainment strategies and focus on great storytelling have never been more important,” says Kline, “Wavelength’s ability to harness the best talent and to craft stories in any format and medium —  from the big screen to Broadway and YouTube — is rare in the branded space and makes us the perfect partner for ambitious brands and agencies looking to disrupt the traditional advertising mode.” Founded by Jenifer Westphal, Wavelength has built a name across verticals …

‘American Classic’ review: Kevin Kline and Laura Linney’s theater love letter

‘American Classic’ review: Kevin Kline and Laura Linney’s theater love letter

The lovely, funny “American Classic,” premiering Sunday on MGM+, is a love letter to theater, community and community theater. Kevin Kline plays Richard Bean, a narcissistic stage actor. He’s famous enough to be opening on Broadway in “King Lear,” but he has to be pushed onstage and is forgetting lines. After he drunkenly assails a hostile New York Times critic — caught on video, of course — he’s suspended from the play, and his agent (Tony Shalhoub) advises him to get out of town and lay low until the heat’s off, as they used to say in the gangster movies. Learning that his mother (Jane Alexander, acting royalty, in film clips) has died, Richard heads back to his small Pennsylvania hometown, where his family — all actors, like the Barrymores, but no longer acting — owns a once-celebrated theater. To Richard’s horror, it has, for want of income, become a dinner theater, hosting touring productions of “Nunsense” and “Forever Plaid” instead of the great stage works on which he cut his teeth. Brother Jon (Jon …