The literary invention that places you in the chaos of war
For more than a century now, writers have attempted to put into words what it was like to serve in the trenches of the First World War: the chaos, the horror, the futility. Ernest Hemingway famously said that “the only true writing that came through during the war was in poetry,” which conveyed metaphorically what could not yet be put into prose. After the war, his novel A Farewell to Arms (1929) and other classics such as Erich Maria Remarque’s All Quiet on the Western Front (1929) and Ford Madox Ford’s Parade’s End tetralogy (1924–28) set the standard for both literature and later film. These works stripped away the nationalist romance and confronted head-on the physical and psychological toil the war took on those who fought it. More recently, Sam Mendes’ film 1917 (2019) made headlines for representing one soldier’s journey through No Man’s Land in what, thanks to clever editing, appears to be a single, uninterrupted take. Daniel Kraus’s Angel Down (2025) takes a similar approach, accomplishing through prose what 1917 does through visuals. …









