Evil in Narrative Fiction | Blog of the APA
Imagine you read Kant. You may disagree with him, you may be bored by his style, but you will persevere, for after all, he has important things to say. Now imagine any narrative fiction: You read a novel, watch a movie or TV series, or read a comic. It has something important to say, yet if you’re bored, you will probably close the book or switch off whatever device you’re using. This makes narrative fiction different from other texts. It is not that narrative fiction is not interested in truth. Philosopher Martha Nussbaum will tell you that novels explore complex ethical situations better than philosophical treatises. But they will not do so at the expense of their first aim, which is keeping readers engaged. Evil is constitutive of the kind of ethical situations Nussbaum considers, and, like narrative, it keeps us hooked. We’re fascinated by evil, and so evil is perfect for narrative fiction and engagement. In narrative, evil comes in all shapes: the evil of Elizabeth’s younger sister in Jane Austen’s Pride and Prejudice …









