The Oscars Start at Cannes
Cannes sure isn’t the Oscars. It’s always been more niche, more art house, more, well, French. For decades, films that won the Palme d’Or, the highest prize at Cannes, were celebrated by auteur-worshipping film geeks and ignored by the mass market. But that’s changing (more on that below). This year’s Palme d’Or went to “Fjord,” a multilingual drama by the Romanian filmmaker Cristian Mungiu set amid the culture wars. I spoke to my colleague Kyle Buchanan, our awards season columnist who spent the past week at the festival, about this and other films that made an impact, and how the festival has changed. The absurdity and importance of Cannes Kyle, everyone gets the Oscars. But why should someone who doesn’t follow art house cinema care about Cannes? Well, if you’re interested in awards season at all, this is where it starts. For example, “Anora” won the Palme d’Or at Cannes two years ago, then went on to win the Oscars for best picture, best director and best actress. Last year, “Sentimental Value” and “The Secret …








