All posts tagged: proofreading

Copyediting and Philosophy, Part 3: Language, Power, and Copyediting

Copyediting and Philosophy, Part 3: Language, Power, and Copyediting

The Issues in Philosophy Beat is running a three-part mini-series called “Copyediting and Philosophy,” which focuses on issues around copyediting relevant to the philosophy profession: what it is, how to navigate it as an author, and philosophical questions it raises. This post is the third and final installment. Copyeditors are enforcers of a particular kind, even if they are not the originators of the norms they’re enforcing. Still, we might worry that the practice of copyediting could enforce standard Englishes to the exclusion of other registers and dialects in a pernicious way. Jessica Flanigan, for instance, argues that linguistic pedantry and an overemphasis on conformity with spelling and grammar perpetuates social hierarchies. And a few years ago, an essay by a former copyeditor, Helen Betya Rubinstein, argued that copyediting is a white supremacist project.  I think it’s important to pay attention to prejudices that attach to different varieties of English, whether these be registers, dialects, or “world” or “global” Englishes. At the same time, I think copyediting can be a way to facilitate communication, especially …

Copyediting and Philosophy, Part 2: Working with Copyeditors

Copyediting and Philosophy, Part 2: Working with Copyeditors

The Issues in Philosophy Beat is running a three-part mini-series called “Copyediting and Philosophy,” which focuses on issues around copyediting relevant to the philosophy profession: what it is, how to navigate it as an author, and philosophical questions it raises. This post is the second installment. A few years ago, I signed up for a copyediting certificate program to improve my editing skills. The instructors taught us that good editing involves a relationship, not just with words on a page, but with the author of those words and their envisioned readers. In addition to studying English grammar, familiarizing ourselves with the thousand-plus pages of The Chicago Manual of Style, and practicing edits on sample documents, we practiced writing helpful comments and communicating professionally with authors. Navigating the author-editor relationship is the subject of plenty of copyediting books, too, like Carol Fisher Saller’s The Subversive Copy Editor, which emphasizes a partnership between author and editor rather than a power struggle over words. I’ll return to the theme of power in my next and final post, since …

Copyediting and Philosophy, Part 1: What is Copyediting?

Copyediting and Philosophy, Part 1: What is Copyediting?

The Issues in Philosophy Beat is running a three-part mini-series called “Copyediting and Philosophy,” which focuses on issues around copyediting relevant to the philosophy profession: what it is, how to navigate it as an author, and philosophical questions it raises. This post is the first installment. There’s a groaner of a joke about a panda who finishes his meal at a restaurant. Afterwards, he asks for the check, shoots the waiter, and then walks out. The joke’s punchline—that a wrongly punctuated dictionary entry says a panda is an animal who “eats, shoots and leaves”—was the title of a 2003 book about punctuation, Eats, Shoots & Leaves.* The author, Lynne Truss, wagged her finger in the general direction of the English-speaking public and its declining grammatical competence, though her own competence was criticized by linguists and writers. This form of smug pedantry is what many academic writers think of when they imagine copyeditors: people gleefully unsplitting infinitives, inserting Oxford commas, and contorting sentences to avoid preposition endings, all the while stripping academic writing of style. Oh, …