With all the musical chairs at fashion houses going on this last year, it was easy to miss how Jonathan Anderson used his final collection at Loewe to cement his reputation as a champion of craft. Presented quietly in Paris in March, overshadowed by the designer’s big move to Dior, the fall/winter ready-to-wear line spotlights a collaboration with the Josef and Anni Albers Foundation, a perfect bookend to Anderson’s 11-year tenure at the Spanish maison marked not only by the introduction of the Loewe Craft Prize, but an overarching innovative vision for integrating artisanal tradition into bold, concept-driven luxury fashion. True to the spirit of Anderson’s Loewe, there’s an underlying wit to the collection. The jackets are like if you threw on a blanket. The handbags are similarly, deliciously louche. This simplicity feels deeply considered and aligned with the form-follows-function ethos of the Bauhaus, where Josef and Anni met in the 1920s, a philosophy they carried with them to Black Mountain College, where they landed after the Bauhaus closed under mounting Nazi repression. The same …