Teeth ‘N’ Smiles review: Self Esteem is the ultimate 60s rock star
A star rating of 3 out of 5. It’s very common when imagining the world of ’60s rock and roll, to conjure up an image tainted with Hollywood glamour. To see the life of drink, drugs and sex while travelling on the road through the rose-tinted lens of an Annie Leibovitz photoshoot. So it’s unbelievably refreshing when you get a rather more British take on it, that is a seedy, unkempt, patchwork version, that literally reeks of cigar smoke and every single thing on stage is brown. This is the world of David Hare’s Teeth ‘N’ Smiles, a play originally written in 1975 when the idealistic world of classic rock was fading into raw defiance of punk, when, as Hare puts it, conversations about “civil rights and the radical overhaul of society” had become “drinkers talking about themselves and their relationships”. The premise is simple and based on a real-world instance, when The Rolling Stones, at the peak of fame, were booked to perform at an Oxford University ball, leading him to the question: what …
