The Princess of Wales delivered a masterclass in diplomatic dressing during her visit to Italy, her first solo overseas trip in four years, since announcing her cancer was in remission.
Across the two days in Reggio Emilia for engagements to spotlight early years education, the princess combined meaningful fashion references with polished tailoring and elegant re-wears.
On day one, at the Centre Internazionale Loris Malaguzzi, the Princess appeared in a striking cornflower blue trouser suit by British-Canadian designer Edeline Lee.
The structured ensemble was completed with a white Holland Cooper bodysuit, tan Ralph Lauren pumps, and a pale blue Asprey handbag.
Her accessories included sentimental jewellery, including Asprey’s “Woodland” charms attached to a Monica Vinader pearl necklace.
Kate first debuted the diamond and gold charms during her 2014 tour of Australia, while the Monica Vinader necklace was previously worn during a 2022 visit to Denmark.
The colour choice could also have been a nod to Italy’s historic national colour, Savoy blue, rather than the more obvious red, white and green associated with the Italian flag.
The vivid tailoring also ensured the Princess remained visible to crowds lining the streets of Reggio Emilia, echoing the late Elizabeth II’s well-known approach to public dressing.
For her second day in Italy, during a visit to the “Salvador Allende” Scuola dell’infanzia, the Princess of Wales adopted a softer palette and re-wore several familiar wardrobe favourites.
Kate stepped out in a checked double-breasted blazer by Blazé Milano, previously worn in an Instagram video announcing she had completed cancer treatment.
She paired the tailored jacket with a cream T-shirt and pleated skirt, alongside two-tone slingback flats by Camilla Elphick, featuring pearl buckle detailing and contrasting black toe caps.
Accessories included her signature Cartier Ballon Bleu watch and a bracelet by Atelier Molayem.
Kate’s visit highlighted her approach to fashion with meaningful diplomatic references and sustainable choices, continuing her preference for re-wearing key pieces from her wardrobe, while spotlighting both British and European designers.
