After Drawing Women Trapped Inside, Kyung-Me Painted Herself Free
It’s rare for an artist to spend years honing a craft and perfecting a way of working only to one day pivot 180 degrees. Kyung-Me makes this look both easy and essential. After Kyung-Me first saw the 12th century illustrations for The Tale of Genji, she “became obsessed with drawing, almost overnight,” as she told me when I visited her studio in Ridgewood, Queens. First, she copied drawings from the work—considered the world’s first novel, and written by a woman—with urban grids drawn in parallel perspective. Then she zoomed in, imagining what went on in the buildings’ interiors—and with the many women who starred in Prince Genji’s story. Related Articles The resulting black-and-white line drawings are only 32 inches wide but utterly expansive—both brimming with detail and extending deep into space by way of one-point perspective. In The Marriage (2022), a cathedral-like room is divided up with ornate Gothic molding that appears to go on forever. In The Profession (2022), the texture of a gridded tatami mat is meticulously hatched: Every warp and every weft …







