All posts tagged: Kino Lorber

Anti-Trumpists Are Suddenly Progressive Documentary Funders

Anti-Trumpists Are Suddenly Progressive Documentary Funders

Anti-Trumpists have emerged as a new and growing source of financing for embattled political documentary makers. Richard Lorber, president of Kino Lorber, on Friday told a Toronto Film Festival panel on connecting audiences to non-fiction movies that progressive, or politically-oriented, documentaries are drawing on “civic-minded citizens with significant contributions, which allow them to get made and give viewers a chance to go to the theater.” Beyond such “impact partners,” the TIFF: The Market panel centered on how to get documentaries financed and released as they make slow return to theaters after the pandemic. “The only thing you can count on in releasing quality art house specialty films is disappointment,” Lorber argued, even as he has had recent gains with theatrical docs like the Oscar-winning Mr Nobody Against Putin and the summer arthouse hit Mary Oliver: Saved by the Beauty of the World. That theatrical success offered Lorber proof of “a ray of light that you’ve suddenly activated, a sleeper cell of fans who you didn’t know even existed.” mTuckman Media principal Michael Tuckman had his own recent success …

Kino Lorber Buys Manuela Martelli Cannes Film ‘The Meltdown’ US Rights

Kino Lorber Buys Manuela Martelli Cannes Film ‘The Meltdown’ US Rights

Kino Lorber has acquired U.S. distribution rights to the period Chilean mystery The Meltdown, the sophomore feature of actress-turned-writer/director Manuela Martelli (God Will Not Help, The Future), which had its world premiere in the Un Certain Regard section of this year’s Cannes Film Festival. The company will release the movie theatrically in early 2027, followed by a digital, educational, and home video release. The follow-up to writer-director Martelli’s General Augusto Pinochet-era political thriller Chile ‘76 stars Maya O’Rourke, Maia Rae Domagala, Saskia Rosendahl, Jakub Gierszal, Paulina Urrutia and Mauricio Pešutić. The Hollywood Reporter featured the film as a hidden gem of the Cannes 2026 program. Set in 1992, just two years after the end of Pinochet’s regime and amid Chile’s “economic miracle,” nine-year-old Inés is staying at her grandparents’ Andean ski resort while her parents attend a trade conference in Seville. She befriends Hanna, a German teenager training to be a competitive skier while rebelling against the strictures of her regimented life. When Hanna vanishes without a trace and her mother enlists Inés’ help as a translator, the …