new video loaded: Right-Wing Outsider Appears to Win Colombia’s Election President Trump had endorsed Abelardo De La Espriella, a lawyer with no previous political experience, in Colombia’s presidential election. He appeared headed for a slim victory. By Shawn Paik June 22, 2026 Source link
NewsFeed Colombia’s presidential election is headed to a runoff on June 21. Far-right outsider, Abelardo de la Espriella, will face leftist senator, Ivan Cepeda. Professor Jorge Restrepo describes de la Espriella’s rise in the polls as a punishment vote against Colombia’s long-established political class. Published On 1 Jun 20261 Jun 2026 Click here to share on social media share-nodes Share googleAdd Al Jazeera on Googleinfo Source link
Voters in recent election cycles have flirted with candidates who seemingly appeared out of nowhere. In 2008, Barack Obama was the fashionable outsider pick, challenging the Clinton machine. In a 2016 cycle colored by a rush of populism, Republicans’ interest was piqued by Donald Trump from the moment he descended down the escalator. At the same time,… Source link
Marco Perego, a conceptual artist whose work has been displayed around the world, grew up on world cinema and tends to watch a movie every day. Yet the Italian native has operated mostly outside filmmaking circles — until now. Coming off of his feature directorial debut from 2023, The Absence of Eden — which starred his wife, Oscar winner Zoe Saldaña — Perego launched the production company Leaf Entertainment alongside Michael Cerenzie. The goal was simple: Work with the best, most decorated global auteurs and help them get their next projects made. Easier said than done, right? Perhaps, but Perego has hit a remarkable benchmark in a very short period of time. At this year’s Cannes Film Festival, he will make history as the first producer to have three movies in the main competition — and they’re among the most pedigreed and anticipated: Minotaur, the first film in nine years from Russia’s Andrey Zvyagintsev (Leviathan, Loveless); Fjord, the Sebastian Stan-led drama from Romanian master Cristian Mungiu (4 Months, 3 Weeks and 2 Days); and Paper Tiger, the starry latest from Croisette regular James Gray toplined by Scarlett Johansson, Adam Driver and Miles Teller. That …
The field of outsider art continues to expand its parameters, encompassing not only the output of self-taught artists, visionary artists, folk artists, vernacular artists, and artists with developmental, mental, and physical disabilities, but that of virtually any maker working outside the mainstream, whether by choice or by circumstance. At the same time, however, outsider art is going mainstream itself: in recent years it has been a focus of, or significant presence in, institutional exhibitions and biennials such as the upcoming Minnie Evans show at the Whitney and the 2024 Venice Biennale. Perhaps most tellingly, it is attracting attention from the art market as well, with Christie’s even holding an annual auction dedicated to work by outsiders. In line with these developments, and somewhat paradoxically, the Outsider Art Fair has become both more clearly a stakeholder in a growing market category and, at the same time, more wide-ranging than ever in its definition of “outsider.” This year’s installations run the gamut from a resurrection of Susan Cianciolo’s Run Store (2000), which features clothing and home goods …
The lyrics for Diagonale des Yeux’s debut album were written in the style of an exquisite corpse game, with members Laurène Exposito and Théo Delaunay taking it in turns to patch together ephemeral thoughts and themes in a mix of French, German, English and Spanish. The bizarre, multilingual stories that emerged match the French duo’s ramshackle, home-recorded sound, which features everything from toybox percussion to farmyard sound effects. The artwork for Madeleine Their whimsical approach is anchored in the outsider pop and post-punk of 1980s Europe, which embraced discordant instrumentation and disaffected vocals. These 12 tracks are charmingly lo-fi, built around rudimentary synth and guitar melodies that often careen into strange directions. Acolytes jumps from frenetic punk jam into swooning breakdown and back again within just 90 seconds; Le Rayon Orchidée stumbles groggily to a halt like a malfunctioning music box. Both sing, adding to the theatrics: playing around with effects, they range from pitch-shifted, kitten-like miaows to macho groans. At times, the wackiness feels a little cloying, as in the rickety opening track Tie …
The expression “Don’t quit your day job” is often used as an insult, implying that the recipient’s creative skills aren’t up to attracting a career-supporting audience. But it can also be practical advice in certain cases, especially those of artists possessed of a sensibility too particular and strange to bear direct exposure to the marketplace. So it was with Henry Darger, who deliberately passed his 81 years in near-absolute obscurity, working increasingly menial janitorial jobs by day and, when not attending one of his five daily masses, obsessing over his art the rest of the time. That art took various forms, most notably The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco–Angelinian War Storm, Caused by the Child Slave Rebellion, which has been described as the longest work of fiction ever written — and the strangest. As described in the video above from Fredrik Knudsen (and in the 2004 feature-length documentary In the Realms of the Unreal), its 15,145 pages relate the adventures of a …
With Labour blocking Andy Burnham from returning as an MP, the so-called “king of the north” came out wearing a simple black V-neck jumper with dark denim jeans. The Greater Manchester mayor, appearing at the launch of a Class Ceiling report at the city’s Whitworth gallery on Monday, looked quietly, subtly, the outsider. It might not sound like much. But that is the point of Burnham’s largely unnoteworthy look, which tends to involve Left Bank intellectual-adjacent black-on-black. In direct contrast to his tie-wearing colleagues in parliament, Burnham’s style feels particularly symbolic. Ever since his move away from Westminster politics, Burnham has been dressing differently, eschewing the uniform of his former suited-and-booted colleagues. Largely ditching the suit and tie, he prefers black bomber jackets, black jumpers with no shirt underneath, black blazers and black T-shirts, with the odd workwear jacket thrown in. Last week he wore a white T-shirt and aptly workwear-esque navy jacket to unveil a “concrete plan to reindustrialise the birthplace of the Industrial Revolution”. Andrew Groves, a professor of fashion design and director …
