How Hacks Redefined Greatness
The first time we ever see Deborah Vance, she’s onstage at her Vegas residency, delivering desultory jokes about an unappealing lover while wearing a jacket so bedazzled it seems to have its own energy field. The routine itself is much duller—Deborah (played by Jean Smart), when asked by her partner if she’s close to orgasm, screeches that the only thing she’s “close” to is late-onset lesbianism—but then we follow her offstage, majestic and unfussed, gliding serenely though chitchat with stagehands and showgirls. Only when she pauses in front of her illuminated mirror do we finally see her face, perfectly framed in the glow of the bulbs. Late in her career of public flameouts and hard-fought comebacks, Deborah is as pampered as an empress and thoroughly numbed by complacency. When her manager, Jimmy (Paul W. Downs), suggests pairing her with Ava (Hannah Einbinder), a 25-year-old TV writer, to spark some fresher punch lines, the odd-couple setup ignites a question Hacks has been preoccupied with ever since: What does it mean to be a truly great artist? …

