The last thing we need is more biopics – but Meryl Streep as Joni Mitchell sounds irresistible
Get the latest entertainment news, reviews and star-studded interviews with our Independent Culture email Get the latest entertainment news with our free Culture newsletter Get the latest entertainment news with our free Culture newsletter When Walk the Line strode into cinemas in 2005, all dressed in black, it gave final shape to a template that Hollywood has been copying ever since. James Mangold’s Oscar-winning Johnny Cash film – following on the heels of Ray, Taylor Hackford’s similarly awards-garlanded take on Ray Charles a year earlier – established the music biopic blueprint so definitively that the form immediately ossified into cliché. Troubled childhood, early brilliance, meteoric ascent, drugs and adversity, redemptive finale. By the time Walk Hard: The Dewey Cox Story came along to skewer the whole charade in 2007, the parody practically wrote itself. Fast-forward 20 years, past the vapidly formulaic Bohemian Rhapsody, and we’re still being served the same meal with different garnishes. A Complete Unknown and Springsteen: Deliver Me from Nowhere – biopics of Bob Dylan and Bruce Springsteen respectively – both arrived …


