Mad Cool Festival 2026, review – Revellers worship our rock saviours Nick Cave, Lorde and Florence Welch
If Mad Cool’s name could be distilled to a single gesture, it would be the shaka: that thumb-and-pinkie surfer salute, deployed here without a hint of irony. But move past that and you’ll be rewarded with a lineup this year that is second to none. The festival opens with Wolf Alice, prize-laden leading lights of a generation whose decade-long mastery of genre-fluid rock is unimpeachable. Fusing pristine melodies to snarling guitar work, the London quartet never disappoint. Moving between tenderness and ferocity: Wolf Alice’s Ellie Rowsell (Andre Iglesias) Here, “White Horses” careers from psychedelic verse to canyon-wide chorus; “Yuk Foo” is pure serrated punk fury; “Don’t Delete the Kisses” is a shimmer of glistening space pop so gorgeous that it briefly stops time. Playing to a swooning if slightly subdued crowd, Ellie Rowsell is a hugely charismatic presence, her voice pivoting on a sixpence between tenderness and ferocity. Later, on the main stage, the Foo Fighters grind through their amalgam of classic rock tropes. “Do you love rock and roll music?” Grohl bellows before a …








