All posts tagged: Ballet

Charlize Theron Responds to Timothée Chalamet’s Ballet, Opera Comments

Charlize Theron Responds to Timothée Chalamet’s Ballet, Opera Comments

Published by Daniella Wilson

Charlize Theron is weighing in on Timothée Chalamet‘s earlier comments about ballet and opera, calling them “very reckless” and defending the art forms. In an interview with The New York Times published Saturday, Theron spoke about the physical and mental demands of dance while discussing her own experience. “Dance is probably one of the hardest things I ever did. Dancers are superheroes. What they put their bodies through in complete silence,” the Mad Max: Fury Road star said, prompting the reporter to joke, “Sorry, Timothée Chalamet.” “Oh, boy, I hope I run into him one day,” Theron replied. “That was a very reckless comment on an art form, two art forms, that we need to lift up constantly because, yes, they do have a hard time. But in 10 years, AI is going to be able to do Timothée’s job, but it will not be able to replace a person on a stage dancing live. And we shouldn’t [expletive] on other art forms.” The Hollywood Reporter reached out to Chalamet’s reps for comment, but did …

Charlize Theron warns Timothée Chalamet that AI will replace his job after ‘reckless’ comments about ballet and opera

Charlize Theron warns Timothée Chalamet that AI will replace his job after ‘reckless’ comments about ballet and opera

Published by Daniella Wilson

Get the latest entertainment news, reviews and star-studded interviews with our Independent Culture email Get the latest entertainment news with our free Culture newsletter Get the latest entertainment news with our free Culture newsletter Charlize Theron says she hopes to meet Timothée Chalamet one day so she can set him straight over his disparaging remarks about ballet and opera. Last month, the Oscar-nominated Marty Supreme star, 30, faced a wave of criticism after suggesting that “no one cares” about ballet and opera. Theron, 50, a former ballet dancer, weighed in on the controversy in a new interview with The New York Times, calling out Chalamet. “Oh, boy, I hope I run into him one day,” the Oscar-winning Monster actor said. “That was a very reckless comment on an art form, two art forms, that we need to lift up constantly because, yes, they do have a hard time.” She predicted that “in 10 years, A.I. is going to be able to do Timothée’s job, but it will not be able to replace a person on …

The Repair Shop: The emotional story behind Britain’s first Black professional ballet dancer Julie Felix and her pointe shoes

The Repair Shop: The emotional story behind Britain’s first Black professional ballet dancer Julie Felix and her pointe shoes

Published by Daniella Wilson

Get the latest entertainment news, reviews and star-studded interviews with our Independent Culture email Get the latest entertainment news with our free Culture newsletter Get the latest entertainment news with our free Culture newsletter Britain’s first professional black ballerina was left “winded” and “breathless” after witnessing the restoration of her historic pointe shoes on the BBC’s popular programme, The Repair Shop. Julie Felix, a London-born dancer who is of Caribbean heritage, brought the very ballet shoes she wore for her inaugural professional solo performance four decades ago to the reality series. Her emotional appearance offered a poignant reflection on the profound struggles she endured throughout her pioneering career, with her mother remembered as her staunchest supporter. Ms Felix recounted a pivotal moment in the 1970s when a London ballet company explicitly rejected her due to her race, stating: “we can’t have a brown ballet dancer in the line-up of the swans”. This stark discrimination ultimately compelled her to seek opportunities abroad, shaping her remarkable journey. She subsequently secured a contract with the all-black Dance Theatre …

The Repair Shop: The emotional story behind Britain’s first Black professional ballet dancer Julie Felix and her pointe shoes

Julie Felix: The emotional story behind Britain’s first Black professional ballet dancer and her pointe shoes

Published by Daniella Wilson

Get the latest entertainment news, reviews and star-studded interviews with our Independent Culture email Get the latest entertainment news with our free Culture newsletter Get the latest entertainment news with our free Culture newsletter Britain’s first professional black ballerina was left “winded” and “breathless” after witnessing the meticulous restoration of her historic pointe shoes on the BBC’s The Repair Shop. Julie Felix, a London-born dancer, of Caribbean heritage, brought the ballet shoes she wore for her first professional solo performance four decades ago to the popular reality programme. Her appearance offered a poignant reflection on the struggles she endured throughout her career, with her mother remembered as her staunchest supporter. Felix recounted a pivotal moment in the 1970s when a London ballet company rejected her due to her race, explicitly stating, “we can’t have a brown ballet dancer in the line-up of the swans”. This discrimination ultimately led her to seek opportunities abroad. She subsequently secured a contract with the all-black Dance Theatre Of Harlem, based in New York, a move that shaped her professional …

The Repair Shop: The emotional story behind Britain’s first Black professional ballet dancer Julie Felix and her pointe shoes

Julie Felix: The emotional story behind Britain’s first Black professional ballet dancer and her pointe shoes

Published by Daniella Wilson

Get the latest entertainment news, reviews and star-studded interviews with our Independent Culture email Get the latest entertainment news with our free Culture newsletter Get the latest entertainment news with our free Culture newsletter Britain’s first professional black ballerina was left “winded” and “breathless” after witnessing the meticulous restoration of her historic pointe shoes on the BBC’s The Repair Shop. Julie Felix, a London-born dancer, of Caribbean heritage, brought the ballet shoes she wore for her first professional solo performance four decades ago to the popular reality programme. Her appearance offered a poignant reflection on the struggles she endured throughout her career, with her mother remembered as her staunchest supporter. Felix recounted a pivotal moment in the 1970s when a London ballet company rejected her due to her race, explicitly stating, “we can’t have a brown ballet dancer in the line-up of the swans”. This discrimination ultimately led her to seek opportunities abroad. She subsequently secured a contract with the all-black Dance Theatre Of Harlem, based in New York, a move that shaped her professional …

Oscars 2026: Bridesmaids, Baby Yoda and ballet bites back – the bits of the Oscars you might have missed | Ents & Arts News

Oscars 2026: Bridesmaids, Baby Yoda and ballet bites back – the bits of the Oscars you might have missed | Ents & Arts News

Published by Daniella Wilson

One Battle After Another led the night, taking six Oscars, including best picture, best director and best supporting actor. Sinners followed in second place, with four wins, then Frankenstein with three, but of course, the Oscars are about more than just numbers. Here are our stand-out moments for 2026. Timmy, Leo and Ted get roasted Second-time host Conan O’Brien did not hold back in his opening monologue. Taking a swipe at Timothee Chalamet‘s recent comment that “nobody cares” about opera and ballet, he joked: “I should tell you, security is tight tonight, I’m told there are concerns about attacks from both the opera and ballet communities.” O’Brien added, “They’re just mad you left out jazz”. A close-up of the audience showed a laughing Chalamet, sitting next to his girlfriend, Kylie Jenner, who was wearing a sparkling red gown with a plunging neckline. Image: Kylie Jenner and Timothee Chalamet making their way to their seats. Pic: AP Leonardo DiCaprio got similar treatment, as O’Brien took a moment to restock the actor’s already plentiful supply of memes, …

Spielberg subtly shades Timothée Chalamet’s controversial opera and ballet remarks

Spielberg subtly shades Timothée Chalamet’s controversial opera and ballet remarks

Published by Daniella Wilson

Stay ahead of the curve with our weekly guide to the latest trends, fashion, relationships and more Stay ahead of the curve with our weekly guide to the latest trends, fashion, relationships and more Stay ahead of the curve with our weekly guide to the latest trends, fashion, relationships and more Steven Spielberg has become the latest star to weigh in on Timothée Chalamet’s controversial comments about the cultural significance of ballet and opera. The Jaws director was speaking about the importance of visiting movie theaters during a SXSW keynote conversation when he subtly shaded Chalamet’s recent claims that “no one cares” about ballet or opera in the modern world. The Oscar-nominated Marty Supreme actor, 30, found himself in hot water this week after he said in a viral interview: “I don’t want to be working in ballet or opera where it’s like, ‘Hey! Keep this thing alive, even though no one cares about this anymore.’” Spielberg referenced Chalamet’s comments while speaking about the value of consuming communal entertainment, saying: “At the end of a …

It’s Chalamet vs. ballet in this week’s news quiz. Are your answers en pointe? : NPR

It’s Chalamet vs. ballet in this week’s news quiz. Are your answers en pointe? : NPR

Published by Sam Flores

From left: Kai Trump, Bam Adebayo, Timothée Chalamet (or his reclusive twin, Tomothée). Allison Robbert/AFP via Getty Images; Peter Joneleit/Getty Images; Patrick T. Fallon/AFP via Getty Images hide caption toggle caption Allison Robbert/AFP via Getty Images; Peter Joneleit/Getty Images; Patrick T. Fallon/AFP via Getty Images It’s Friday the 13th, yet again. But this time, the ominous novelty date is two days before the Ides of March, which means the bad luck will cancel itself out. Meanwhile, if you’ve been paying attention to medicine, basketball and the British Parliament, you’ll get at least three questions right this week. Good luck! Source link

Karla Sofía Gascón Trolls Timothée Chalamet Amid Opera, Ballet Backlash

Karla Sofía Gascón Trolls Timothée Chalamet Amid Opera, Ballet Backlash

Published by Daniella Wilson

The fallout from a misconstrued comment Timothée Chalamet recently made about keeping shared, in-person art experiences alive is coming to define the closing stretch of his best actor Oscar campaign, as fellow recent nominee-turned-pariah Karla Sofía Gascón is now weighing in on the controversy with her own humorous take. Chalamet, who has been promoting the hell out of his Oscar vehicle Marty Supreme this awards season, has swept up nearly every prize in his march toward what could be his first Academy Award win. But that campaign ubiquity may now be backfiring on the beloved actor after comments he made in conversation with Matthew McConaughey at a Variety and CNN town hall. The offending foot-in-the-mouth comment came while the actor was discussing the importance of cinemas and the collective experience of seeing films in theaters. At that point, Chalamet appeared to overstate the level of life support needed to keep ballet companies and opera productions afloat today, while also perhaps understating their popularity. “I don’t want to be working in ballet or opera, or things …

Timothée Chalamet Is Right About Ballet and Opera

Timothée Chalamet Is Right About Ballet and Opera

Published by Sam Flores

Did you have a marvelous time at Verdi’s Aida this weekend? Or instead, did you catch a performance of Swan Lake? If internet discourse is to be believed, the masses spent Saturday and Sunday supporting their local opera houses and ballet companies—specifically to stick it to one Timothée Chalamet, who put his foot in his mouth during a recent interview with Matthew McConaughey at a town hall hosted by CNN and Variety. There, the best-actor nominee said “no one cares” about opera or ballet. “I don’t want to be working in ballet or opera, or, you know, things where it’s like, ‘Hey, keep this thing alive,’” Chalamet said rather glibly. Realizing in the moment that he was perhaps being too dismissive, he added, “All respect to the ballet and opera people out there,” and admitted that he “took shots for no reason.” He still compounded his trouble, though, by quipping that he probably lost the broadcast “14 cents” by dissing those communities, before breaking into a (harmless) impersonation of someone singing opera. The conversation moved …