Entering the main exhibition of the 2026 Venice Biennale, “In Minor Keys,” from the Arsenale, the first artwork one encounters is a poem. “If I must die / you must live / to tell my story,” the poem by Palestinian poet and professor Refaat Alareer begins. Those lines became a rallying cry for the pro-Palestine movement after Alareer was killed in Gaza by an Israeli airstrike in December 2023, and have since achieved a ubiquity that once seemed all but impossible for a poem in the 21st century. For “In Minor Keys,” the poem acts as a kind of benediction or, perhaps, a statement of purpose. The last edition of the Biennale opened just seven months after October 7; this edition is truly the first to grapple fully with the bloodshed wrought since. For the most part, the destruction of Gaza, like the rise of global fascism, is an unignorable context that every work in the show breathes in. Related Articles Take The Garden of the Broken-Hearted (2026), a new work by British Ethiopian artist Theo Eshetu …