How Phish Reinvented Sphere Forever
Phish was nearly 17 minutes into a song called “Fuego” when the world’s highest-resolution LED screen went completely black. It was late April, the fourth night of a nine-show run at Sphere in Las Vegas, and the band had just begun its second set. As they slid from a thin boogie into an atonal blur, the screen that swallowed them took the sold-out audience of about 17,000 on a grisly animated tour of a damaged body—teeth pocked with fillings, a tummy laden with plastic toys, lungs puffing hard. As the camera wormed its way up and out of the body and back to the mouth, a wrecking ball swung toward the teeth, smashing them with three terrifying hits. The image faded. The room went dark. The band kept playing. The crowd erupted. Trey Anastasio knew this would happen; in fact, when he told the rest of the band that they might have to play in the dark for at least 30 seconds, they were thrilled. “They were all like, ‘Oh, we love playing in the …








